Marta Minujín emerged in the 1960s with participatory environments, happenings and media experiments that embraced spectacle, mass culture and destruction. From La Menesunda to the Parthenon of Books, her work creates temporary public situations where audiences move through sensory overload, banned literature or monumental replicas built from everyday materials.
Performance; installation; sculpture; participatory art
Artist Films
Marta Minujín – 'I Believe in Magic' | TateShots
Major Works
- 1965La Menesunda
- 1965El Batacazo
- 1966Simultaneidad en simultaneidad
- 1968Minucode
- 1973Kidnappening
- 1983 / 2017The Parthenon of Books
- 1981Carlos Gardel de Fuego
- 1985The Debt / Payment of the Argentine Foreign Debt to Andy Warhol with Corn
- 2011Torre de Babel de Libros
- 2009Rayuelarte
Interviews & Writing
- Museum-quality video search →RESEARCH QUEUEvideo
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