Hannah Höch was a central innovator of photomontage within Berlin Dada. Cutting mass-media images of politicians, performers, machines and women into unstable new bodies, she used collage to examine gender, modern identity and the contradictions of Weimar culture.
Photomontage; collage; drawing; painting
Major Works
- 1919–20Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch of Germany
- 1919Dada Panorama
- 1920The Beautiful Girl
- 1923High Finance
- 1924–30From an Ethnographic Museum
- 1927The Bride
- 1930Indian Dancer
- 1930Marlene
- 1931Flight
- 1963Grotesque
Interviews & Writing
- Museum-quality video search →RESEARCH QUEUEvideo
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