Kim Whanki helped define Korean modern abstraction through a career that moved from stylized moons, mountains and ceramics toward increasingly nonobjective fields of points and color. After periods in Seoul and Paris, he settled in New York in 1963, where his late all-over paintings reached their most expansive form.
Painting; works on paper
Major Works
- 1970Where, in What Form, Shall We Meet Again?
- 1971Universe 5-IV-71 #200
- 1973Tranquility 5-IV-73 #310
- 1973Echo 19-II-73 #307
- 1974Duet 22-IV-74 #331
- 1950sMountain and Moon
- 1950sMoon Jar paintings
- 1950sIsland Story
- 1971Untitled 3-V-71 #203
- 197417-VI-74 #337
Interviews & Writing
- Museum-quality video search →RESEARCH QUEUEvideo
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